The study examines the concept of the interesting in the aesthetic system of Anton Müller, full professor of aesthetics and classical literature at Prague University in the years 1823–1842. The study describes how he worked with the concept of the interesting; it companies his approach with the earlier German reflections on this concept, selected according to their response in Bohemian and Austrian aesthetics, and compares these findings with the existing literature about the interesting. The study shows that the privileged role (...) of the interesting in Müller's theory is caused by the restraint of a significant part of the Austrian pre-March aesthetics towards the Critique Judgement, which, despite Kant's objections, insisted on the significance of the interesting for beauty and art. The condition described does not allow Müller's privileged way of dealing with the concept of the interesting to be regarded as an attempt to revive the concept, which had been forbidden by Kant, as his approach could have been understood from the perspective of German aesthetics, but rather as the highest possible level of privileging of the interesting, crowning the traditional Austrian approach to this concept. (shrink)

EN: Selection of Marczyński's interviews on philosophy and literature which were recorded in early 2007 for the purpose of his radio broadcast "Hortus (In)Conclusus." Includes interviews with: Marek Bieńczyk, Józef Bremer, Ihor Byczko, Andrij Dachnij, Anna Dziedzic, Mateusz Falkowski, Tadeusz Gadacz, Michał Głowiński, Dorota Hall, Serhij Jospenko, Wachtang Kebuładze, Zbigniew Kloch, Andrzej Kołakowski, Wasyl Lisowyj, Ołeksandr Majewskyj, Anton Marczynski, Julia Marczyńska, Wadym Menżulin, Zbigniew Mikołejko, Monika Milewska, Andrij Okara, Ihor Paśko, Adam Pomorski, Myrosła Popowycz, Jerzy Prokopiuk, Iryna Puchta, Barbara Skarga, (...) Dmytro Stepowyk, Władysław Stróżewski, Myrosław Trofymuk, Tomas Venclova, Jan Woleński, Taras Wozniak, Arkadiusz Żychliński. (shrink)

Whether regarded as a perplexing object, a morally captivating force, an ineffable entity beyond language, or an inescapably embodied human practice, music has captured philosophically inclined minds since time immemorial. In turn, musicians of all stripes have called on philosophy as a source of inspiration and encouragement, and scholars of music through the ages have turned to philosophy for insight into music and into the worlds that sustain it. In this Handbook, contributors build on this legacy to conceptualize the rich (...) interactions of Western music and philosophy as a series of meeting points between two vital spheres of human activity. They draw together key debates at the intersection of music studies and philosophy, offering a field-defining overview while also forging new paths. Chapters cover a wide range of musics and philosophies, including concert, popular, jazz, and electronic musics, and both analytic and continental philosophy. (shrink)

Libertad o utopía? -- Unamuno en el infierno -- El año de los poetas -- El hombre superior -- Concursos y premios literarios -- Por fortuna aún contamos con la poesía -- Desahogo lírico -- Xenofobia -- Variaciones sobre un tema de Omar Khayyam -- Simón Bolívar y la lectura -- El tierno encanto de las pequeñas ciudades.

Faz uma digressão acerca de alguns aspectos do 'Tratado de direito natural', sem esgotar suas possibilidades analíticas. Pretende, ao inserir a obra em seu contexto de produção, discutir a relação entre o direito natural tal como foi expresso por Tomás Antonio Gonzaga e as possibilidades de interpretação abertas pelo direito português de então.

Las 15 piezas que ahora lo conforman abrevan en la Historia, en confeciones personales y entrevistas, y mezclan la literatura y el periodismo de manera audaz y perfecta. Los protagonistas son hombres excepcionales y el momento que se ha elegido para contar son las visperas de sus muertes -tal vez el momento de mayor soledad y de mayor intimidad de un hombre. A traves de la magistral escritura de Tomas Eloy Martinez tenemos el privilegio de asistir a los ultimos minutos (...) de sus vidas, el momento previo a perderlo todo y cuando, resistiendo a la indiferencia del mundo, se suena con alguna inmortalidad. (shrink)